主演：李梣溪 普里西利亚·比当古 佐藤节二 许建 吉姆·亨森 简·亚历山大 JR·波恩
导演：凯蒂·阿赛尔顿
类型：科幻,谍战,恐怖 地区：中国台湾 年份：2019
简介：天网拥有独(🛵)立意识后(🕥)，对创造它的人(🤸)类展开(kāi )血腥屠杀。此后的岁月，约翰·康纳(❎)（杰森(sēn )·克拉科 Jason Clarke 饰）率领战友和天网的机(jī )器(💫)人大军进行着旷日持久的战争。在关(guān )键的一(yī )次战役过后，天网将终结者(🍣)(zhě )派往1984年的洛杉矶，企图杀害约翰的妈妈莎拉（艾米莉亚·克拉克 Emilia Clarke 饰）。而约翰则将自己最亲密(🚳)的战友——同时也是他(tā )的生身父亲(💊)凯尔·里(🈴)斯（杰·科特尼 Jai Courtney 饰）派往过(guò )去。凯尔(🍉)刚刚抵达洛杉矶便遭到液态金属终(🙋)结者T-1000（李秉宪(🚪) 饰）的袭击(🧘)。与此同时，“老(lǎo )爹”（阿诺·(🍣)施瓦辛(🎱)格 Arnold Schwarzenegger 饰）则与莎拉联手干掉了终结者T-800（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）。姜启晟看出苏明(🚡)珠其实还不懂情，可是他可以慢慢(màn )教会她，撒着诱饵一点点把这颗明珠圈养到自己的地盘上：(🌶)那位柳姑(gū )娘，我虽不知道她是什么心(🐃)思，却觉得并不是(👁)她所说的喜欢或者情不自禁，若是真喜欢一个人，应(yīng )该光明正大而不是给人(🏺)带来困扰的。那(nà )群人突然就开(kāi )始将矛盾往其中(🙂)一个人身上转移，这(🛁)边悦颜却始终紧皱着(zhe )眉头，盯着始终不正面回应问题的那群人。身前是灿灿(càn )铠甲，身后是广(guǎng )袤天地。 人生百年我们再次上路！宋垣自嘲地笑出声，手上(shàng )用(yòng )力，烟盒就在他手中变了形。顾潇潇盘算着怎么自救，她从来不寄希望在别人身上。武平侯同情地看了他一眼：没事(shì )，我没成亲(✴)(qīn )前也时常遇到这样的事情。张采萱站在门口，看(kàn )着秦肃凛的马车架着(📛)往村(cūn )里去，刚好在他(🚶)们后面一点，张采萱(xuān )没动，直到他们的马车进了村子看不到了，才转身进门。One of the great late period films by Sacha Guitry — the total auteur who delighted (and scandalised) the French public and inspired the French New Wave as a model for authorship as director-writer-star of screen and stage alike. In every one of his pictures (and almost every one served as a rueful examination of the war between the sexes), Guitry sculpted by way of a rapier wit — one might say by way of “the Guitry touch” — some of the most sophisticated black comedies ever conceived… and La Poison is one of his blackest.Michel Simon plays Paul Braconnier, a man with designs on murdering his wife Blandine (Germaine Reuver) — a woman with similar designs on her husband. When Braconnier visits Paris to consult with a lawyer about the perfect way of killing a spouse — that is, the way in which he can get away with it — an acid comedy unfolds that reaches its peak in a courtroom scene for the ages.From the moment of Guitry’s trademark introduction of his principals in the opening credits, and on through the brilliant performance by national treasure Michel Simon (of Renoir’s Boudu sauvé des eaux and Vigo’s L’Atalante, to mention only two high-water marks), here is fitting indication of why Guitry is considered by many the Gallic equal of Ernst Lubitsch. The Masters of Cinema Series is proud to introduce Sacha Guitry into the catalogue with La Poison for the first time on video in the UK in a dazzling new Gaumont restoration.