火焰中的星空

主演：沈威 泉京子 梅丽莎·德索萨 乔恩·克莱尔 拉查雯·万薇瑞亚 

导演：理查德·谢泼德 

类型：谍战,动作,言情  地区：美国  年份：2013  

简介：千星正准备跳下车去追，旁边那个女孩却忽然(rán )拉了她一下(🔈)，红着眼眶看着她，道：(🍵)你别去，别去追对乔西(xī )、梅洛蒂和瓦丽三个女孩而(ér )言，最新流行趋势、名牌服装化妆品全都一文不值，没有什么(🦂)比摇(yáo )滚乐更让她们心(👰)动的了！她们终日呆在车库里(lǐ )，穿着不入(rù(㊙) )流的衣服(fú )，唱着自己创(🦖)作(zuò )的歌曲，梦想着有一天自己也能像摇滚(🎭)(gǔn )明星一样，在无数歌迷的疯狂(kuáng )尖叫中(🌕)(zhōng )，站在绚丽的舞台上进行表(biǎo )演。那大汉往前凑了凑，恶声恶气的(de )说道：老子干啥？(🚯)你不是看(kà(😔)n )到了吗？Georges Flavier原(🐊)本是技艺高超的巴黎发型师(shī )，如(🗄)今孑(jié )然一身住在小镇上。一天他在圣马丹运河救起了(🏹)为(wéi )爱轻生的(🥐)小伙子(zǐ )Gus，一老一少两个意志(🎅)消沉的人都想激励对方振作起来。在Gus的鼓动下，Georges决定去参加在捷克斯(sī )洛伐克举办的世界(jiè )发(fā )型师大赛(🍀)……2003年5月9日，位于日本鹿儿岛的内之浦宇宙空间观(guān )察所(🏛)，MV-5火箭携带日本航天工作者历(lì(🕸) )经(jīng )十数年自行研发的小(🤷)行星探测器隼鸟号直飞苍穹。隼鸟(😿)号(👱)的目(mù )的地是位(🗒)于地球和火星之间的(🏩)小行星“丝(🖇)川(chuān )”，它将携带小行星的样品返回(🔫)地球。这项耗资高达130亿日元的计划牵动了(🍋)无数人的心弦。上(⏱)到JAXA的(de )教授山口骏一郎（渡边谦 饰），下到《朝日新闻》的女(nǚ )记者井上真理（夏(🍺)川结衣 饰），他们的目光紧紧锁定在隼鸟号(hào )身上。在长达五年的旅途中，隼鸟号经历了引擎失灵、反作用轮(🕋)故障、无法顺利着陆、燃料泄漏等突发状(🎢)况，人们共(gòng )同祈祷隼鸟号平安归(🎛)来……庄依波不由得想(👭)到了什么，抬眸看了申望津一眼。跑什么？他揉(🆖)了揉张雪岩的脸，晚(wǎn )上(🎢)的风更大了，他换了个位置帮张雪岩挡住风，说(shuō )清楚，到底怎么了？This movie (not to be confused with another Carroll Baker vehicle "Kiss Me, Kill Me" aka "Baba Yagi--the Witch")is Umberto Lenzi's follow-up to his groundbreaking classic "Paranoia". It came out the same year as Dario Argento's "The Bird with Crystal Plumage" (the film which started the deluge of Italian gialli) and was produced by the Martino brothers, who later made a number of interesting giallo films (usually featuring Eugenio Martino's alluring mistress, Edwige Fenech). It stars Carroll Baker, demonstrating her acting chops here by playing a character that is the exact opposite of the naive victim she played in "Paranoia", and it also features two excellent, native European actors--Jean Loius Trintignant and the gorgeous Erica Blanc. The script is surprisingly well-written and full of suspense and genuine surprises. It is a clever variation on the classic French film "Diabolique" with a decadent, high-society husband (Tritignant), wife (Blanc), and mistress (Baker) all crossing and double-crossing each other. It cleverly plays with the viewers awareness of the earlier film before throwing in an unexpected curve. It also seems to be very well filmed. (It's hard to believe that years later Lenzi would be making nauseating and inept cannibal films like "Cannibal Ferox" or just plain inept American slasher movies like "Hitcher in the Dark"). I say seems, however, because this film is only available on second or third generation copies of Greek videotapes that are not only panned-and-scanned, but are very badly panned-and-scanned so that the characters are often halfway off the screen. Trying to appreciate this movie is like trying to appreciate a beautiful painting that has both sides cropped off and is covered with really murky cellophane (and burnt-in Greek subtitles). If Lenzi's crap movies like "Ferox", "Hitcher", and even, god help us all,"Eaten Alive", can get the star DVD treatment, why can't "Paranoia" or this little gem? Oh, but I almost forgot--despite the title there isn't too much perversity here. Baker has a lot more nude scenes in "Paranoia". There is some Blanc-related nudity (although, in my opinion, you can never have enough of that), but the lesbian relationship between the two of them is unfortunately only hinted at. Of course, it may just have been cropped out. . .说起来，你应该也知道，当初关押你的(📄)那个实验室，真正幕后的那个领导人，他的老(lǎo )巢(🚫)，就是我们这次的目标。